This time I made it. After the dream sequence, which I can appreciate now is a clear not to Giallo, the movie got so much better. College students get one special night to take what could possibly be one of the most incredible movie theaters in history and host a horror film marathon. William Castle style. Gigantic props flying around, smell-o-vision, shockers in the seats, and everything in-between. Popcorn is a bit of a love story to classic horror, despite the main actress's at times grating voice (despite this, Jill Schoelen was, and is, a lovely person). It doesn't stop there, however, as strange memories plague her character throughout the film, and bizarre murders begin to take place. Madness? Ghosts? A killer stalking the night? I guess you'll have to find out for yourself.
Showing posts with label make-up. Show all posts
Showing posts with label make-up. Show all posts
Wednesday, October 18, 2017
Horror Flick of the Week: Popcorn (1991)
This one took more than one attempt to watch, because it opens with a trippy dream sequence. Narration and dream sequences are two film devices I tend to struggle with, as they are fairly lazy attempts to tell a story without properly showing it. Then, just a couple of weeks ago, I tried again. Why? Because just look at that poster! There's no way in hell a movie could have a poster like this and not turn out to be awesome!
This time I made it. After the dream sequence, which I can appreciate now is a clear not to Giallo, the movie got so much better. College students get one special night to take what could possibly be one of the most incredible movie theaters in history and host a horror film marathon. William Castle style. Gigantic props flying around, smell-o-vision, shockers in the seats, and everything in-between. Popcorn is a bit of a love story to classic horror, despite the main actress's at times grating voice (despite this, Jill Schoelen was, and is, a lovely person). It doesn't stop there, however, as strange memories plague her character throughout the film, and bizarre murders begin to take place. Madness? Ghosts? A killer stalking the night? I guess you'll have to find out for yourself.
This time I made it. After the dream sequence, which I can appreciate now is a clear not to Giallo, the movie got so much better. College students get one special night to take what could possibly be one of the most incredible movie theaters in history and host a horror film marathon. William Castle style. Gigantic props flying around, smell-o-vision, shockers in the seats, and everything in-between. Popcorn is a bit of a love story to classic horror, despite the main actress's at times grating voice (despite this, Jill Schoelen was, and is, a lovely person). It doesn't stop there, however, as strange memories plague her character throughout the film, and bizarre murders begin to take place. Madness? Ghosts? A killer stalking the night? I guess you'll have to find out for yourself.
Tuesday, October 17, 2017
Grim History: Deadly Make-up, from the 18th to the 20th century
Oh beauty, the fickle poison which stings the eye and fades to dust. A memory more pained by wither'd age, left to rot on life's cruel stage.
The greatest irony about beauty is that so many times the things we've thought to preserve it were the very things that destroyed it the fastest. White lead to obtain that pearly complexion, arsenic to preserve the skin, belladonna to enhance those gorgeous eyes, and so on and so forth. A volume could be written on corsets, of course, and many have. So, in the interest of time, today I'd simply like to focus on the cosmetics, and save bone training for another day.
Ann Thistlethwaite, Countess of Chesterfield. A slender, well-kept lady of her day. I'd like to imagine she was quite fashionable, given how nicely her hair was powdered, how pristine and white her skin was with just the faintest hint of rouge on her youthful cheeks. The early 18th century was hardly unique with their poisonous beauty treatments. You'd be surprised, but the danger was not in the hair powder, and only on occasion did a lady (or even man) with somewhat eccentric hairstyles happen to catch fire on low-hanging chandeliers.
The real killer in the mid-18th century was the white lead foundation so prized by the upperclass at the time, no thanks to fashions originating from the Elizabethan period (as I'm sure you're all aware of Queen Elizabeth's infamous bright red hair and ghostly complexion.) The opacity of the lead itself was what made it so popular, allowing every blemish or spot to be thickly disguised. It is little to no surprise that quite a lot of actresses especially died at young ages from lead poisoning, given that stage make-up had to be even heavier than the average lady's.
The lead didn't stop there, however, and despite the fact that it was known to be poisonous, there were even instances of lead in hair products, rouges, and all manner of cosmetics beyond foundation. In fact, when it came to rouge, they'd make some lovely combinations of lead and vinegar or lead and mercury for just the right touch of healthy, luscious pink. It was a pretty vicious cycle, the lead foundations, because the more one would apply the more their skin would break out into horrible rashes or open sores, so they'd apply even more to cover that up. Combine this with the mercury and copper to further agitate one's skin, and it really makes you begin to realize the truth in the age-old saying "you have to suffer for beauty."
Then, finally, as the Edwardian era was beginning to come to its end, we have something even worse than arsenic or lead. A cosmetic so awful, that routine use of it left people with honey-combed bones, tumors, and even disintegrating jaws. I'm talking, of course, about Radium.
The main belief was that Radium invigorated and revitalized. Funny how that seems to have been the same belief for mercury throughout history. If it burns, surely it must be working. It seems that France and England were the main victims of Radium marketing, though there was still some use of it in the American market. Shamefully, that didn't prevent the most famous disaster of Radium poisoning from happening on American soil, and maybe some day I may touch on the Radium girls. Because of their suffering, and the drawn-out legal battles that eventually resulted (though it did not prevent these young women from dying in the most painful ways one can imagine) finally made the world realize Radium was not to be trifled with.
Some day, we may look back on the beauty products we wear now and wonder what grandma was thinking greasing her face down with -INSERT UNKNOWN DEADLY POISON HERE-, which is a great case for product testing, but there's no turning back the clock now for the many who had to suffer and die so that we could learn from their vanity. Victims of beauty in the cruelest sense of the word.
The greatest irony about beauty is that so many times the things we've thought to preserve it were the very things that destroyed it the fastest. White lead to obtain that pearly complexion, arsenic to preserve the skin, belladonna to enhance those gorgeous eyes, and so on and so forth. A volume could be written on corsets, of course, and many have. So, in the interest of time, today I'd simply like to focus on the cosmetics, and save bone training for another day.
Ann Thistlethwaite, Countess of Chesterfield. A slender, well-kept lady of her day. I'd like to imagine she was quite fashionable, given how nicely her hair was powdered, how pristine and white her skin was with just the faintest hint of rouge on her youthful cheeks. The early 18th century was hardly unique with their poisonous beauty treatments. You'd be surprised, but the danger was not in the hair powder, and only on occasion did a lady (or even man) with somewhat eccentric hairstyles happen to catch fire on low-hanging chandeliers.
The real killer in the mid-18th century was the white lead foundation so prized by the upperclass at the time, no thanks to fashions originating from the Elizabethan period (as I'm sure you're all aware of Queen Elizabeth's infamous bright red hair and ghostly complexion.) The opacity of the lead itself was what made it so popular, allowing every blemish or spot to be thickly disguised. It is little to no surprise that quite a lot of actresses especially died at young ages from lead poisoning, given that stage make-up had to be even heavier than the average lady's.
The lead didn't stop there, however, and despite the fact that it was known to be poisonous, there were even instances of lead in hair products, rouges, and all manner of cosmetics beyond foundation. In fact, when it came to rouge, they'd make some lovely combinations of lead and vinegar or lead and mercury for just the right touch of healthy, luscious pink. It was a pretty vicious cycle, the lead foundations, because the more one would apply the more their skin would break out into horrible rashes or open sores, so they'd apply even more to cover that up. Combine this with the mercury and copper to further agitate one's skin, and it really makes you begin to realize the truth in the age-old saying "you have to suffer for beauty."
There was a time during Victoria's reign in which cosmetics were deemed improper, and I've no doubt that more men and women were spared from premature deaths by their own hands, if you'll of course ignore all of the horrible 'medicines', barbaric surgery, lack of proper hygiene, and various other dangers of the times. This couldn't last forever, though, and there were still plenty of people applying make-up like crazy.
Eventually, the a la mode of cure-all beauty treatments became arsenic. Of course there were safer options for freckle removal, such as honey and sand, or vinegar, buttermilk, and lemon juice washes. Still, basting their faces simply wasn't enough for women seeking true beauty. So, after all else failed, they always went back to arsenic. From better to worse, or maybe it's the other way around. I'll have to get back to you on that.
Then, finally, as the Edwardian era was beginning to come to its end, we have something even worse than arsenic or lead. A cosmetic so awful, that routine use of it left people with honey-combed bones, tumors, and even disintegrating jaws. I'm talking, of course, about Radium.
It wasn't really something used for cosmetics alone. Once Radium was discovered, because it seemed so magical with its glowing qualities and seemingly mysterious characteristics, companies were throwing Radium in just about everything. Butter, paint, dishes, clothing, contraceptives, medicines, you name it. There was even Radiated water. One man was so convinced of its efficacy that he drank several bottles a day, and when he was buried, he had no jaw left so speak of.
The main belief was that Radium invigorated and revitalized. Funny how that seems to have been the same belief for mercury throughout history. If it burns, surely it must be working. It seems that France and England were the main victims of Radium marketing, though there was still some use of it in the American market. Shamefully, that didn't prevent the most famous disaster of Radium poisoning from happening on American soil, and maybe some day I may touch on the Radium girls. Because of their suffering, and the drawn-out legal battles that eventually resulted (though it did not prevent these young women from dying in the most painful ways one can imagine) finally made the world realize Radium was not to be trifled with.
Some day, we may look back on the beauty products we wear now and wonder what grandma was thinking greasing her face down with -INSERT UNKNOWN DEADLY POISON HERE-, which is a great case for product testing, but there's no turning back the clock now for the many who had to suffer and die so that we could learn from their vanity. Victims of beauty in the cruelest sense of the word.
Sunday, October 5, 2014
Hallow-Holics Podcast, Ep. 6: Ghoul's Night Out
A quick note before we launch into this week's episode. When you are recording something, always remember that the most essential element is actively hitting the record button. Just...you know...keep that in mind.
Unfortunately Chris wasn't feeling well, but we like to make our crab-apples into bobbing roulette anyway, so this episode is all about girly things for the Halloween season. Julianne and I also discuss Hocus Pocus, Troll 2, and a lot of very random off-topic memories. Directly below you'll find some excellent make-up tutorials I found on youtube for those of you who might be interested in dressing up as any of the witches or Billy. And the following links are to the two costume sites we discuss at the beginning of the episode.
First Link
Second Link
Unfortunately Chris wasn't feeling well, but we like to make our crab-apples into bobbing roulette anyway, so this episode is all about girly things for the Halloween season. Julianne and I also discuss Hocus Pocus, Troll 2, and a lot of very random off-topic memories. Directly below you'll find some excellent make-up tutorials I found on youtube for those of you who might be interested in dressing up as any of the witches or Billy. And the following links are to the two costume sites we discuss at the beginning of the episode.
First Link
Second Link
Sunday, July 7, 2013
Silent Horrors: All Made Up
That picture post I made recently of young horror masters left me thinking about Lon Chaney. For those of us who know horror, and even films, he's the 'Man of 1000 Faces'. Think of the flexibility Gary Oldman has on the screen, and you're pretty much starting to gain an idea of this man. Each role he played was distinctly different from the last, and he was a magnificent character actor. I could devote an entire segment to him and still not even come close to describing how influential Lon ultimately was and is still for horror today, but this isn't going to be about Chaney sr, though I suppose in the future I'll devote something to him (he died 4 days before my birthday, after all. Not the literal day I was born, because I'm 23, but you get the idea.) Anyway, the whole point of this illustration is to talk about the make-up. He's great to start with, because he's the most recognizable. Here's a few great examples of Lon Chaney's monsters...
Silent cinema in particular was very heavy on the atmosphere. That's why body language was infinitely more important, and even moreso when there was proper costuming. Make-up techniques have advanced a lot since then, yet...god they were creepier. Take this older version of Frankenstein, for instance. Inhuman to an extreme degree, and indescribably...disturbing.
The full feature is available, by the way, on youtube. Generally one picture can never do true justice to a monster. Sadly the same can not be said for the sinister grinning man just above this one. Lon Chaney's 'London After Midnight' is a lost film, and will very likely never be recovered.
Now let's jump onto a few pictures of one of my personal favorites, Conrad Veidt. Even as a monster, he was a beautiful man.
The extremes it took for the effect on his lips were incredibly painful. In fact, a lot of the monster make-up in these films was pretty excruciating, when it went beyond pancake and mascara.
Here are a few other monsters worth showing off, just for good measure.
Ultimately, there is something terrifying about the human form when tiny features are pulled out of proportion, namely fingers, eyes, and teeth. Honestly, half of these people I'm completely willing to believe really were monsters whenever the silver screen brings them back to life.
![]() |
The Hunchback of Notre Dame |
![]() |
The Phantom of the Opera |
![]() |
London After Midnight |
Silent cinema in particular was very heavy on the atmosphere. That's why body language was infinitely more important, and even moreso when there was proper costuming. Make-up techniques have advanced a lot since then, yet...god they were creepier. Take this older version of Frankenstein, for instance. Inhuman to an extreme degree, and indescribably...disturbing.
![]() |
Frankenstein |
The full feature is available, by the way, on youtube. Generally one picture can never do true justice to a monster. Sadly the same can not be said for the sinister grinning man just above this one. Lon Chaney's 'London After Midnight' is a lost film, and will very likely never be recovered.
Now let's jump onto a few pictures of one of my personal favorites, Conrad Veidt. Even as a monster, he was a beautiful man.
![]() |
The Cabinet of Dr. Caligari |
![]() |
The Man Who Laughs |
The extremes it took for the effect on his lips were incredibly painful. In fact, a lot of the monster make-up in these films was pretty excruciating, when it went beyond pancake and mascara.
Here are a few other monsters worth showing off, just for good measure.
![]() |
Metropolis (with mask) |
![]() |
Metropolis (without mask) |
![]() |
The Golem |
![]() |
Dr. Jekyll and Mr. Hyde |
![]() |
Nosferatu |
Ultimately, there is something terrifying about the human form when tiny features are pulled out of proportion, namely fingers, eyes, and teeth. Honestly, half of these people I'm completely willing to believe really were monsters whenever the silver screen brings them back to life.
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